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Musical Theatre and the Politics of Bursting into Song and Dance: A Critical Exploration of the Genre's Conventions and Subversive Potential

Jese Leos
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Published in The Song Is You: Musical Theatre And The Politics Of Bursting Into Song And Dance (Studies Theatre Hist Culture)
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Musical theatre, with its seamless blend of music, dance, and spoken dialogue, transports audiences into worlds where emotions are amplified and characters express themselves through the irresistible urge to burst into song and dance. This unique genre has become a beloved form of entertainment, captivating hearts and minds across cultures and generations. However, beneath its whimsical surface, musical theatre is a complex and multifaceted art form that embodies a rich tapestry of conventions, political implications, and subversive potential.

The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance (Studies Theatre Hist Culture)
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance (Studies Theatre Hist & Culture)
by Marco Santagata

4.2 out of 5

Language : English
File size : 7452 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Word Wise : Enabled
Print length : 294 pages

The Conventions of Musical Theatre

The conventions of musical theatre serve as the foundation upon which its unique storytelling unfolds. One of the most defining conventions is the use of song and dance to convey emotions, advance the plot, and develop characters. Songs in musicals are not mere musical interludes; they are integral to the narrative, providing insights into characters' inner thoughts, driving the action forward, and creating an immersive and emotionally resonant experience for the audience.

Another key convention is the use of larger-than-life characters who often embody exaggerated archetypes or stereotypes. These characters may be heroic, villainous, comedic, or a combination thereof, and their bold personalities and motivations drive the dramatic conflicts and resolutions in musicals.

Music as a Vehicle for Subversion

While musical theatre often conforms to established conventions, it also possesses an inherent capacity for subversion. The combination of music, dance, and spoken dialogue provides a powerful medium for exploring and critiquing social and political issues. Musicals have a long history of addressing themes of inequality, injustice, and oppression, using their unique storytelling abilities to raise awareness and provoke thought.

One notable example is "The Threepenny Opera" by Bertolt Brecht and Kurt Weill. This groundbreaking musical, written in the 1920s, employed a combination of jazz, cabaret, and traditional opera to critique the rise of fascism and the moral decay of society. Through its scathing lyrics and sardonic humor, "The Threepenny Opera" exposed the hypocrisy and greed of those in power, offering a powerful indictment of the political landscape of its time.

Dance as a Form of Resistance

Dance, too, has played a significant role in the subversive potential of musical theatre. In many cultures, dance has been a form of expression and resistance for marginalized communities. Musicals have harnessed the power of dance to challenge societal norms and celebrate diversity.

The musical "Hamilton" by Lin-Manuel Miranda is a prime example of how dance can be used to subvert traditional narratives and challenge dominant ideologies. The show's choreography, heavily influenced by hip-hop and R&B, reimagines the Founding Fathers of the United States as diverse and dynamic characters. By incorporating elements of contemporary urban dance into the historical setting, "Hamilton" challenges the traditional whitewashed portrayal of American history, highlighting the contributions and struggles of people of color.

Representation and Inclusivity

In recent years, musical theatre has made strides in addressing issues of representation and inclusivity. Musicals such as "Dear Evan Hansen," "Six," and "The Prom" have featured diverse casts and explored themes of mental health, gender identity, and LGBTQ+ rights. These productions have pushed the boundaries of the genre and created more inclusive and representative narratives, reflecting the diversity of modern society.

However, the journey towards greater representation in musical theatre is ongoing. Critics argue that there is still room for improvement in terms of casting, storytelling, and the representation of marginalized communities. Nevertheless, the increasing focus on inclusivity is a testament to the genre's evolving nature and its ability to reflect and shape societal values.

Musical theatre, with its captivating blend of music, dance, and spoken dialogue, is an art form that simultaneously conforms to and subverts conventions. Its unique storytelling abilities have been used to explore complex themes, critique social and political issues, and challenge dominant ideologies. As the genre continues to evolve, it will undoubtedly continue to captivate audiences while pushing boundaries and fostering greater representation and inclusivity. Musical theatre remains a vibrant and dynamic art form that reflects the complexities and aspirations of our humanity, inviting us to burst into song and dance as we navigate the world's challenges and celebrate its triumphs.


Further Reading

  • The Oxford Companion to Theatre and Performance

  • The Cambridge to Musical Theatre

  • Musical Theatre: A History

The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance (Studies Theatre Hist Culture)
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance (Studies Theatre Hist & Culture)
by Marco Santagata

4.2 out of 5

Language : English
File size : 7452 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Word Wise : Enabled
Print length : 294 pages
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The book was found!
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance (Studies Theatre Hist Culture)
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance (Studies Theatre Hist & Culture)
by Marco Santagata

4.2 out of 5

Language : English
File size : 7452 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Word Wise : Enabled
Print length : 294 pages
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